History, Music and Technique -- The revival -- Arnold Dolmetsch -- Other developments -- Rediscovery of recorder making -- Mass-production -- Design problems -- The contemporary recorder -- Personalities -- The recorder worldwide -- The recorder -- Derivation of the name -- Description of the instrument -- Musical characteristics -- Material -- Acoustics -- Recorder design -- The craft of recorder making -- Design innovations -- A 'modern' recorder? -- Conventional recorder music and the heritage of the Baroque -- Early compositions -- The 1950s and after -- The avant-garde -- Earliest examples -- New techniques -- Other significant compositions -- The theatrical element -- Focus on the performer -- Vocal/instrumental techniques -- Graphic scores -- Electro-acoustic music -- Modern techniques -- Non-standard fingerings -- Articulation -- Vibrato -- Special effects -- The recorder in amateur and educational music -- Repertoire -- Compositions of stature -- The recorder now -- Settling down -- New ground -- Non-standard fingerings -- Select Catalogue of Twentieth-Century Recorder Music -- Publishers and Music Information Centres